A word of advice
The NaNoWriMo website gets jammed in the evening when everyone
is posting a word count. I tend to write in the morning, and I go ahead and
enter my word count as I go, even if I plan to write more later in the day. You
can update your word count as many times a day as you’d like. If I do write in
the evening, I enter that word count the next day.
What I’m learning
Keep in mind that I did not start from scratch. On Day 1 of NaNoWriMo I was already halfway to my goal. This means my daily goal is
already less than half that of a true, non-cheating NaNoWriMo participant. I’ve
been spending no more than two hours a day writing—sometimes just an hour, and
yet I’m making progress and I see the shape of the manuscript emerging in ways
I wouldn’t have if I’d just read through drafts without adding any new writing.
I can see that I need to set up a quest or Big Concern early on
and shape the book to explore that quest or concern. And I’m already getting a
good idea of what that Big Concern is for me—not something I ever considered
writing about until this month, although I see my quest there under the surface
in much of my writing to date. This is the fun part of writing—discovery!
Much (if not all) of this material will need to be rewritten
once I know better where the manuscript is headed. Creating a book out of discrete
pieces (whether stand-alone drafts, blogs, or essays) can happen in two ways (probably more than two): as a collection of discrete meditations or
essays, or as narrative nonfiction.
This writing wants to be narrative. What a surprise! When I fantasized about converting blog posts into a book, I imagined a minimum of revision. I thought I would just plunk the pieces together and voila! I love the essay, but I think I might love the
challenge of book-length narrative even more—holding the structure of years and multiple themes and threads
together and cinching them tighter in each round of revision.
I’m not yet doing the cinching, but this NaNo cheating forces me
into the manuscript each day for at least an hour or two. I skim eight or ten pages of what’s already
written, then find an access point to dip in and write. I surface again, skim,
then write some more. It’s that writing time, inside the manuscript, that helps me think, that helps me to see
the narrative threads and motifs in my life.
But the time when I’m not writing is just as valuable—maybe even
more so. Because I’m physically “into” the manuscript every day to get my word
count, I find that I’m also mentally into the manuscript while I’m going about
the rest of my day. More than once I’ve opened the file again hours after
completing my word count in order to add another thought, another paragraph,
another few hundred words.
Reading list
To help keep my head in the manuscript even when I’m not immersed in it, I’ve started a reading list, along the lines of what I see as my Big Concern in the work.
Why Place Matters: Geography, identity, and Civic Life in Modern
Times, eds. Wilfred M. McClay, Ted V. McAllister
The Body Geographic, Barrie Jean Borich
Leaving the Pink House, Ladette Randolph
Our Town, Thornton Wilder
Word count: 35,382
Our Town, Thornton Wilder
Word count: 35,382
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